You can use a D - F - B chord in any place where the combination of those notes does what you want. It would not be surprising to find an example in first inversion, like this: X:1ġThis is based on Edward Aldwell and Carl Schachter, "Harmony and Voice Leading", 2nd edition (Harcourt Brace Jovanovich, 1989), pp. Taking an expansive definition of "popular music", however, to include Ragtime and Barbershop music, the common tone diminished chord is not uncommon. The primary difference is that diminished chords are more dissonant than dominant seventh chords, with the latter being far more prevalent in popular music, which generally avoids harsh dissonances. 1įor example, it can be a passing chord between inversions of another triad. In nearly every circumstance, it functions in exactly the same way as a second inversion dominant seventh chord. In terms of harmonic function, there's nothing particularly special about the first inversion diminished chord.
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